with support by john selway, stephan bodzin, perc, technasia, xhin, tony rohr, dean facer and many more. the catalogue number 013 on the berlin label phunkit records is at the same time the starting shot for the first vinyl release. and exactly this one shows down-to-earth techno from the capital, elaborated and cunning, by the artist duo takt tick. the actual overhead conveyors and host djs from the tresor club present trend-setting productions. the name >u1< is, brought to the point, a little journey through the time of berlins underground. the a1 side sends the listener on a trip which is coined by dynamical passages of highs and crispy bass parts. uncompromisingly does the rhythm chase around the focused, flogging consonance and the slowly modulated intervals with short breaks. on the b side: >whisper<, a subtle peak-time monster which does not know any kind of holdup, full of energy and only waiting for the chance to make the strobes lose their wind. >black worms is a b2-bomber for sure. with its dusky sounds, it is solidly rolling without downward movement. shady, resonant, consequent and remorseless.

ltd backstock !!! the slam guys with ultraphat selected tracks from minimal to techno - techhouse !!

suckafish p. jones, the self-proclaimed ringmaster of voodoo electronics, returns to evil up your soundsystem with his second ep for disboot records, >mr midnight<. released on 12 inch vinyl for disboot records, suckafish summons up four tracks of jagged robot funk from the depths of the swamp. perverting the tropes and conventions of uk garage, grime and hip hop, ?mr midnight? combines pulsing low end rhythms with possessive melodies to create a soundtrack to that full moon night that never ends. sleazy, emotional, violent and ecstatic at the same time, suckafishs latest offering maintains his reputation for productions that ignite the dance with raw, infectious energy and humour.

fourth outing from the highly-reputed spatial, and at this point in proceedings the mans work should need no further introduction to the many listeners already up on his sound ? and yet, these fresh productions ? >100402< and >100319< ? mark something of a departure from the so-called >future garage< tag with which he has frequently been associated in the media.

not content to simply sit back and watch his 1605 baby grow from strength to strength, label head umek makes it a strong point to make regular contributions to our output and so he has obliged with the imaginatively titled >omgwtf< track. a superb new composition from mr 1605 himself, >omgwtf< is everything one can expect from umeks sonic arsenal. funky, pounding, innovative, fresh and a surefire dancefloor mover. if the title is anything to go by, we d say you have been warned!

back from 1999 , this massive phunky filtered disco 4 track ep is just on the point .... since more than 10 years...

italians do it better bringing you a great variety of dancemoods, from the pumping deep onand mundo, to the groovin lift me upand more deeper point of no return.

due to their stunning releases on underground quality and laid the smallpeople aka julius steinhoff and dionne are back with a real smasher. this time they catched up christopher rau who will be releasing his debut album on smallville very soon. the results of the dreamteam’s jamsessions are gorgeous: two never to stop tunes which will light up the dancefloor with unforgetable hooklines. representing the smallville parties in hamburg, berlin, paris and tokyo the test pressings of this double a-side already created pure magic. meadows is reduced to the essential, produced to the max - a track on point, the way deeper life aquatic is none the less delightful. wont leave your box forever.

joint venture between the because, edbanger and warp labels, and what a result. killer new effort from squarepusher on the jazz-funk-electro tip, on a side cryptic motion, the perfect soundtrack for a remake of zabriskie point in 2012, heavy bass that slaps your flesh and some sunset vocoder. mr oizo on the b side for an epileptic straight to the head p-funk remix only him can twist that way. limited quantities, so be quick or be sorry!

the long awaited aeroplane debut album!

congrats! suol has just become a proud parent to yet another great artist ... trickski! please to meet you.. i m sure you will love our playground! trickskis last release on jimpsters imprint delusions of grandeur has left an impeccable impression on many floors ... and we are happy to welcome daniel & yannick aka trickski to our suol family with an outstanding release by the name of >before & after ep<!

a twinkle, a spark, and there you have it. many will say they saw it coming. at some point you could no longer ignore the signs, and actually youd suspected it all along: glamour is back in the club. berlin has become what new york was in 1981 and aÚrea negrot is the eartha kitt of the post-techno age. as part of hercules & love affair, perhaps the most enigmatic disco-ball band of the present day, the venezuelan disco diva has tackled issues of gender code through a four-four discourse and convinced the world that a slick performance under a strobe light can outdo than anything that has appeared in the light of day. now - as a taste of whats to come on her album next year - she is releasing her first ep on bpitch...

straight from cologne, we proudly debut with our first release on technology gap 001, with some deep as its gets straight up house music acompaning your personal summer madness. anyone wondering what oliver kochs breitbandkater projects all about need only turn to the eps opening cut, >warm and wet<, wherein the cologne-based producer proclaims, >i want the best for you / so everything i do / is house music.< yep, technology gap 001 is house music all right, and a particularly fine sampling of it too. the aforementioned >warm and wet< immediately declares itself an ep high point the moment its thumping bass pulse kicks in. sleekly designed, the cut begins with a tight minimal swing that swells into a jacking house fireball while serving up six minutes of chunky chords and cracking snares. the second track, >wonder why<, tips the balance in a slightly more soulful deep house direction when monojoe spreads an exuberant vocal ove r breitbandkaters lush backing. warm chords and a sweetly grooving pulse provide a soft cushion for some old-school cymbal patterns and a radiant synth hook in the smooth stormer. adopting a slightly more atmospheric approach, with house group of the hour, morning factory winds up the ep with a trippy remix of >warm and wet< which finds kochs vocal drifting through the slow-building mix in a semi-entranced daze. lovers of classy deep house should no doubt find much to admire about breitbankaters three-tracker. go hunt, its good for you

brandnew album of full analogue techno house killer tracks! hammered / loved by : marcel dettmann, len faki, ivan smagghe, laurent garnier, seth troxler, troy pierce, phil kieran, perc, de:bug, groove mag, chris liebing, butane and many others ! !!

following his remix of marco resmanns >i will love< feat. mz sunday luv we are now proud to bring you emerson todds first release on upon you. born in new zealand but living in australia his various releases on cocoon, get physical, dirty bird und modular made us love him and now hes bringing the goldrush to us. not only because his tracks are always stable investments in the tech-house area but also because the title of the a1 track eureka goes back to the days of the australian goldrush. but the other side of the coin isnt made of cheap tin either. counter point keeps on digging on b1 looking for the buried acoustic treasure and vertigo shimmers mystically on b1. if you listen indepth to eureka and counter point you will find some great vocals by mey.

formed by snow patrols gary lightbody as an outlet for his fascination with country music, tired pony began taking shape in may 2009. by october, the solo project had grown into a full-fledged supergroup featuring another snow patrol veteran, iain archer, his wife miriam kaufmann, producer/musician jacknife lee, belle & sebastian percussionist richard colburn, auxiliary r.e.m. member scott mccaughey, and troy stewart. peter buck joined several months later, and tired pony traveled to portland in early 2010 to record the debut album. featuring guest appearances by zooey deschanel, m. ward, and editors frontman tom smith, >the place we ran from< was finished in one week and released later that year.

two 80s-era tracks from one of the most sampled musicians of all time! tony cook was drummer for james brown among others and released the proto-house tune >on the floor (rock it)< in 1984. get to the point is from the forthcoming tony cook album on stones throw called >back to reality<. for fans of dam-funk, peoples potential unlimited etc. check!

for this special project we asked our producers to create their own track with lyrics and samples of mc raw. now you can fully experience the diversity and creativity of the megarave label. this is part 2 of the megarave 100.

one time proprietor of the infamous atlas records shop in soho, london over a decade ago, pete herbert divides his time these days either behind the wheels of steel at clubs and parties around europe or in the studio working solo or with friends on their various musical projectsàhe is found regularly behind the decks at places such as fabric,mondos, goa, cafe capitol playing out an unexpected mix of balearic leftfield disco/house/italo/dub/funk and beyond!! building up a dj reputation in parisian underground circles, doing parties with jef k, chloe, alexkid and ivan smagghe, working the dancefloor but also developing his skills in the studio, tim paris had his first breakthrough with the remix of a rock tune called >future now< that became one of the biggest underground tunes of 2004. from there tim paris didn t stop but continued to release quality tracks and remixes. the two come together as >challenge<, on tim s imprint marketing music, the follow up to their 2008 release together on kompakt >zimmer<. just a few chords into the track, and its obvious to hear - the broken clock e.p. has been too long coming... >broken clock< - featuring homemade guitar riffs by none-other than mr. paris himself...! >wind up< follows with its more organic appeal, featuring some wicked synths... and finally, >wind up genius of time remix< will suit your palate indefinitely. genius of time, aka >cloud< from gothenburg, sweden... pushes the hands of father time to the reference point in early house, the vocals are pushed to the front to build us up into a hazy groove, that you wish could go on forever...

in the world of factory presets, default settings and copy-paste ethics, there are few artists that actually care to make a difference. and -who told you that?-, 29th release on warsaw recognition label, is certainly a voice to be heard. the title track is another subtle narrative from label boss jacek sienkiewicz. eerie chord and a solid, damp beat from the start are underpinned by sherds of dialogue - snippets of words and laughter keep coming back in the mix, providing some sort of uneasy commentary towards todays minimal house formula. but at some point the voices disappear - and then the tracks gently goes somewhere outside the boundaries of todays club music, somewhere otherworldly. this shift, albeit amazingly subtle, is a leap towards music free of any defined context, far beyond dancefloor and definitely original. if this sneak peak into the possible futures of manmachine induced visions is too much to handle, there is still the b-side of this release. two tracks here - both clocking around mere 5 minutes - are prime exercises in compact, clever, tight and efficient club tools. uplifting -cobalt drive- is bound to to be quoted and reworked into many forms of a late-night burner. patefon, on the other hand, is a peak-time stormer with its stuttering chords and moody samples, supposedly picked from some vintage shellac discs

mb elektronics is still one of the leading techno labels. marco proves again he s still on point with this excellent compilation, featuring tracks by the advent vs industrialyzer, marco bailey & tom hades, angstrom & aalberg and redhead!

mb elektronics is still one of the leading techno labels. marco proves again he s still on point with this excellent compilation, featuring tracks by joseph capriati, wehbba, loco & jam and marco bailey & tom hades!

oh ruin is eoin o ruinaigh, originally from dublin but now residing in london. having started out playing in a host of bands, at one point embarking on a tour supporting morrissey, he has now gone solo and is turning out such six-string gems as the two tracks collected on this single. a beguiling melange of untempered blues and campfire songs which draw on a rich irish folk tradition, eoins songs are intricately drawn sketches accompanied by deftly finger-picked melodies, even performed on guitars made by eoin himself.
vinyl edition of 500 in a matt varnished reverse board sleeve.

second release on jamie jones & lee fosss hot creations label is the first release by hot new talent robert james. a burgeoning producer, way ahead of his game who will soon be familiar for his insanely infectious music, not least for -sleep moods- his debut ep. -sleep moods- is the type of record that you never want to end. drilling into the mind with rattling bells, rolling bass and echoed calls of go deep… all night… no sleep. this is an unstoppable dancefloor gem, catching your attention from first listen and leaving you wanting more. as -sleep moods- breaks into its groove through haunting sirens and dark rave stabs that keep the energy levels stoked up, it leaves no doubt that robert james is an original and skilled new artist. on the flip -connected- is another explosive original, crackling with kickdrums and sharpened with supernatural synth stabs. in a similar vein to the sound of jamie jones, the hot creations label creator, you can see where these two producers have found common ground. completing the package, parisien house afficionado dyed soundorom takes on a remix of title track, -sleep moods-. producing a stripped back dubby version that works at any point of the night, a skill that dyed has become renowned for. dyed has been part of the freak n chic crew for many years and has also released on crosstown digital rebels, spectral, murmur and supplement facts.

here comes edwards follow-up ep. this time he goes a slightly deeper and more direct. it might be the purest music we ve ever heard from the berlin-based producer. all the crazy clubgigs are manifested into hi music now. of course still with the classical edward style somewhere between dark minimal and trancy deephouse aesthetics. >bush of crows< is somewhat of a siginature edward track. but a very rough one this time. with a comfortable paranoia, this track unfolds itself into a little peak time extravaganza. on the flip, he cools everything down with a warm house tune called >the ghetto< and he adds a certain >blockparty romantic< to it... b2. is once again one of those more minimal edward tracks were he masters to be on point with just the core essence o sounds. edward remains a real romantic for sure...

every so often a new talent pops up out of nowhere and delivers something special which grabs everyones attention. so, for its 12th offering redux is very proud to present an exciting new artist with his first ever release and what a debut it is. christophe, known to his mum and dad as christopher rees is not only a dab hand in the studio but a talented graphic designer in the day and dj with the futureboogie crew at night. after playing a demo of >make a mark< to tristan one hazy morning in his hometown of bristol, the track was quickly snapped up by redux without haste. drenched in classic house sensibilities and showing astounding amounts of skill and taste for his first foray into the world of production, the future looks bright from this point on for christophe.

inally, this club smasher from londons underground blog merchants venom and damage is due for release! having cut their teeth in londons gutter house bass movement with tracks like >love in the club<, >paradise slugs< and their >maximum carnage< mixtapes, venom and damage drop a new take on the uks house sound, in the form of >deeper<. its hard edged production, syncopated rhythms and anthem-like synths are recognisable from a mile off and are no doubt what has been causing such a stir in the clubs. if youve seen modeselektor any time in the past 12 months, chances are youve gone nuts to this track – so big, the guys included it as a focal point of their recent global live sets, and featured it on their resident advisor podcast. it has also and gained support from djs such as adam freeland, marcus nasty, martyn, brodinski, jackmaster, xxxy, julio bashmore and more. deeper becomes the first release on the ten thousand yen imprint, co-run by the uks rising star doc daneeka and its the man himself who delivers on remix duties, keeping the strong melodic feel, but giving it that more oppressive basement vibe.

maybe >grandfathers clock< is the most house influenced release from the german duo piemont so far. going more deep dirty and housy this time... they turn towards a more relaxed and slack approach. chopping up bits of vocals and sounds, tight and funky, this is what piemont is all about. >running mirror< refers to giorgio moroder respectively hi energy influences and is a hypnotic cool groove monster that will convert spaces into soulful places. frederic and christian have released a good dozen of records now and have been very successful. with >peak time tracks< such as >carbonat< being played by the whole lot of ibiza djs and big names around the world. >running mirror< definitely manifests a turning point in their musical spectrum... to deeper grounds of electronic dance and will get other djs involved in their manifold world of music.

dj tasaka is the busiest, known as mix master of japanese techno scene, he mixes techno, minimal, house, disco, electro any records, any genre he feels like.
appeared on mueller records already in 2000 with his mix cd and received lots of attentions followed by many successfull gigs such as mayday, love parade and other well known events and clubs in germany and europe. during the last years he spend his time producing trax with japans top dj takkyu ishino and started a major cooperation with the upcoming big talent kagami. grown up in the regend club yellow ,he belongs to the solid parts of japans techno and house scene and therefore became a resident dj on asia s the biggest indoor festival >wire<.
right now in this very moment he presents newest solo album on berlin s straight techno classic label muller records. he established a reputation by own unique style of mix with tricky scratches, he can make up peek point in the floor, this needs to be mentioned definetely.this album you will find already in the cases of laurent garnier, frank mueller , cocoon djs and many others.

with a confident beat >flagship< of the result travels through a sea of sound, transmitting coded signals and leaving behind it a trail of deep deep bass in the open waters of contemporary dance. hot on its heels is marko fu&#776,rstenbergs remix – a straight to the point melodic and groovy house re-rub! melodic and extremely impelling!

the vinyl package includes an essay, which was part of the original cd package and now arrives on one side of the inner 12inch sleeve. the essay, album and track titles take direct inspiration from slavoj zizek, whose analysis of cinema was a strong beginning point for the project.

english duo behling & simpsons debut ep on pespectiv! hypnotic seductive and slow building house tracks with a warm groove. modern house tracks with strong references. october delivers a exciting remix version that shows he is not afraid to go outside the know path. somehow reminding of invisible circles by margaret dygas. anyway... another effective and tasteful house release on rippertons own persepctive label. check!

the hot name on the berlin underground right now is david keno and the track that you are addicted to without yet knowing is >upside down<. you are the first people to be getting this release as its been kept under wraps since label boss riva star first started playing it at the end of 2009. after recently being featured on rivas radio 1 essential mix and bagged super early for dj hells gigolo compilation, the buzz around it has now reached breaking point with enquiries coming daily on where people can get their hands on it. it could be one of the most anticipated eps of the year so far so it s a very fitting release to start the label with. snatch! is riva starrs first label project and the aim behind it is to push new talents and well-established forward thinking producers. expect slamming fresh house cuts!

sweatshops third release rolls on in with two hot, old-school-vibed productions from joel alter! swedish-berliner alter turns in two fresh, yet raw, cuts that are perfect for the winter club season, and a special edit from label boss savas pascalidis also features. lead cut soul clap is a heavy metal bass weapon for the house or techno floors. pure adrenal action is on hand from the outset, where joels sub-assured kick and ravey, filthy organ riff works the groove. direct and straight to the point, its a strong, forward leaning tool that is sure to get the fires burning in early 2010. savas pascalidis also re-works soul clap with his own edited version, working the 909 into overtime and turning up the intensity even higher! classic and tough chicago vibes all the way!

theres something brewing down at dumb-unit and this time its in the venomous form of a cobra sun. legend has it that the cobra sun is a sun so fierce that a man can only face it at the crack of dawn. only at this point can one survive its monstrous wrath. whatever the truth may be, what is certain is that a new legend arises with pheroxs moving interpretation. a massive journey full of dynamism and extremes the cobra sun is yet another notch to be carved into dumb-units sonic bed post.

yes, its them: federleicht. no better way to start a label: the newcomers of the year have created here a playful and danceable track at the same piece: >rosa lee<. florian schirmacher and marc bammann made an apt remark in naming the ep >modern dada< to point out their ability to make a tribute to the free form. music with german lyrics for the dance floor, combining fragments, while this masterly sense of easiness, for which even the >supergooses< ep was rewarded as a masterpiece in the de:bug. formresonance devides their releases in solid, fluid and aeroform to restrain the musical spectrum which is indeed to be at the ready. solid in any case with both feet down-to-club. how nice … there should be the klub edit of rosa lee as well. in >lilly & douai (fluid)<, the duo spans such an emotional tension by overlaying approximately 80 radio tracks on which federleicht travels the two french industrial cities lille and douai, with the idea that these cities are nature reserves. such sensitive places they are…

sa004 features two exceptional remixes of lucy & ercolinos last 12 inch on stroboscopic artefacts. the a-side >gmork< is given the darkly elegant techno treatment by someone who needs no introduction: luke slater. on the b-side, dadu rips into >so the nothing grows stronger< with a massive dub agenda, showcasing the meeting point between the uk dubstep scene and berlins formidable techno output.

1995 brutal bill, danny c and xstacy mixes!

return to form (take that, haters!) hits at the body repeatedly, slamming away with a lack of abandon and a new sense of protocol. major stars are known for being psychedelic rock journeymen (and journey lovin women), but of late, their rocks psych roots seem to be dyed platinum white, with a truckers cap shoved on top of the whole mess. its jukebox ready hard rock with a hallucinogenic edge, sure ? or perhaps its just the impact of their triple guitar git down, causing your head to throb with concussive force? dont worry, long time star children ? these guys still jam, but they ve got short numbers too, and wailing, roadhouse vocals sailing over the punch ups. a terrific variety, but a return to form? pffft! what form? these guys have been in plasma state forever! whatever form it takes, thats what it is. and major stars are presently shining on in white dwarf style ? compacted, but with a violent gleam.

its been a while since the last rsb release, but then tracks like this dont come along every day! for their first vinyl appearance on a label other than their own, enigmatic german duo ancient methods do the honourable thing and break out the whip, a track that comes across like a 2-step party in the foundry of thor himself. lets lazily label it anvil techno, because as far as we are aware no has yet invented a genre that adequately desribes music such as this. and as we have come to expect, much the same can be said of the evil sickness that is eat like hawks by bjorn svin (with a little help from karsten pflum, jona olesen & copyflex!). it starts like it means to go on, with a gnarled loop and indecipherable distorted vocals, and is gradually tweaked and augmented to the point of destruction. all manner of ill bass, overdriven filters, zaps, clanky drums & feedback join the party before the whole affair is brought to an abrupt end by the strange foreign lady that we have come to know and love over the course of the track. truly music for small, sweaty, strobe-driven cellars.

toolbox is gideons third album, in the line of many to come. although the minimal hype has surpassed this is minimalism from a techno point of view. no bullshit sounds, just straight up minimalistic techno grooves. inspired by guys like richie hawtin and robert hood, gideon has twisted this knowledge into something of his own. very different from his last album on kanzleramt called >need no permission<, this album focuses on tool tracks. and that is off course the title explanation. toolbox is an 8 track album in the line of gideon his first minimalplus release trias politica. 8 pure danceable tool tracks that a fit for any techno minded dance floor. toolbox will be released on 2 separate 12 inch records minimalplus 010 and minimalplus 011 each containing 4 songs.

toolbox is gideons third album, in the line of many to come. although the minimal hype has surpassed this is minimalism from a techno point of view. no bullshit sounds, just straight up minimalistic techno grooves. inspired by guys like richie hawtin and robert hood, gideon has twisted this knowledge into something of his own. very different from his last album on kanzleramt called >need no permission<, this album focuses on tool tracks. and that is off course the title explanation. toolbox is an 8 track album in the line of gideon his first minimalplus release trias politica. 8 pure danceable tool tracks that a fit for any techno minded dance floor. toolbox will be released on 2 separate 12 inch records minimalplus 010 and minimalplus 011 each containing 4 songs.

soughtafter grimy edits courtesy of zernell & goodking. includes an insane edit of a rare version of norman connors classic phoenix, primed to make every spotter in the joint scratch their heads! skye edit alone makes this one to snatch up!

nach dem ueberwaeltigenden erfolg des ersten samplers dirty laundry aus dem jahr 2004 gibts jetzt mehr country songs interpretiert von afroamerikanischen kuenstlern...

multi vitamins hits the vinyl lovers back with phoids >kashmir< ep (number 20 for the labels mv series). originally from the adventurous and multicultural moscow, phoiod has already had a first appearance on the mvd7 series, with his >event horizon< track. his first 12 inch on multi vitamins is a complete journey into intelligent sounds and spontaneous musical actions that settle some serious dancing. >kashmir< hits forcibly and irresistibly with diverse non-western vocals that drives the listeners in a trippy destination. right to the point, this track has a strict minimal bassline with a mystical story that needs to be...

one track for every point of the compass by manuel f. llorente aka prompt. 7 noise worldwide!

another show stopper from french outfitles umins. its all about the remixes on this dope three tracker, as home and garden kick things off with a tough, synth heavy retro 80s mix thats a totally new sound for these boys. on the flip brett johnson shows why hes the man, killing the floor with a truly bugged out take on the original thats just got prime time madness written all over it. sounds like a bit of plastikmans spastik in there! icon on point with an essential underground release.

baaz comes back home at sthlmaudio recordings for a rich and surprise full new ep called woodland drive. the 12 inches start right off with sink, a very baaz styled house track which is dance appealing and yet refined and subtle. a raw bassy groove monster track. the next one might surprise the baaz fans out there, yes it’s a hip-hop track featuring the soul vocals of katrina marie. we figured out that it might be fresh to provide some other point of view in the repeating herself dance scene. the b side strikes hard on the house side again, it s gone is one of those pure shining and rolling tracks. once to you uplift it you’d just let it go. a bass heavy subtle and groovy house cut, baaz trademark?! essential. and again the b2 and closing track is an lush and low key hip-hop science out of baaz most retired places